Our mission is to help create, and help others create a more peaceful, sustainable world through equine assisted experiential learning and therapeutic interventions that support learning and growth, self-awareness, mental health well-being, resilience, co-creative leadership skills and nature connection, for both adults and young people, we work one to one and in small groups.

British is a performative exhibition that seeks to interrogate processes of ‘Becoming’ and help audiences explore their own experience of nationality. Centering the voices of migrant artists and community members it will educate, entertain and inform – building
towards a documentary performance piece to be toured in 2023.

Bella Caledonia is Scotland’s Fifth Estate. Our aim is to transform our media into a vibrant, critical mass of dissident voices; to create a space for writers and artists to collaborate and cross-fertilise their resistance. We aim to give voices to the unheard, to amplify the excluded and the marginalised, and to continue to create a space for self-determination, autonomy and independence.

Drawing as stimming looks to create a time where stimming can happen, through drawing and in response to artworks in the gallery setting, or online in response to art collections. Drawing as Stimming seeks to explore how drawing and mark making can support non-verbal interpretation of artworks, whilst also enabling safe spaces to stimm.

Fourthland is a socially engaged artist practice bringing together diverse groups of people through creative processes that reposition our relationship to each other and the land. Working across a variety of mediums and social processes, Fourthland becomes a place that brings marginalised knowledge into the center to form new myths about land and people.

Good Grief is a podcast that sets out to explore the taboo nature of grief and how we develop, learn and form meaningful traditions around it.

At the heart of Impact Hub Bradford is a platform for social experimentation, our “Civic Collaboratory”; an organisational form that encompasses social processes, collaboration, co-design, formal and informal communication and consensus on principles and values. As both learners and facilitators at the intersection of various key sectors – public, private, voluntary, academic, entrepreneurial, NGOs and academia – the collaboratory is a hub that convenes and creates dialogue across unconnected disciplines.

As a social-practice artist, Jo Chalkblack initiates processes of authentic connection in every day places (schools, urban green spaces, graveyards, city through-routes). Whilst also using site specific, temporary processes to connect with hinterland spaces (woodland, wild spaces, vacant buildings) to enable individuals and communities to navigate through ‘crossroads of change’ and to mark that transition together. She approaches her work collaboratively; moving away from human-centric ideas of what this means and understanding how dynamics of power, language and history affect people’s choices and ability to engage together in moments change.

Lantana is a children’s book publisher and social enterprise that believes in the power of reading to encourage children towards a greater sense of self-worth, self-esteem and belonging. By publishing inclusive books by authors from under-represented groups, their books promote diversity and inclusion, social and racial justice, female empowerment, and empathy.

Morecambe Bay Love and Kindness Action Support Group works among individuals, teams and agencies collaborating for a co-produced culture of love and kindness throughout Morecambe Bay. The aim is to provide the kind of encouragement, inspiration and relational connectivity that links actors with specific complementary expertise and skills.

A deep on-going concern about ageism in our society. Independent artist Janice Parker,
questions what we have come to accept as normal and asks us to do the same.

Project Ride Cumbria exists to explore and support the emergence of equestrian resources, to facilitate learning, wholeness, equipping and resilience. The vision is to work with a skill mix team to create a process whereby people can discover their gifts, strengths and weaknesses.

Repository of the Undercommons (RotU) is a curator/artist residency borne out of Enough! as a way to (re)imagine alternatives + (re)create cultural codes, messages + values for our future(s).

Sounding The Voices scores collaborative exchanges between six women with lived experience of challenging histories. How might we ‘sound’ the space between our pasts and presents, personally and collectively, to shape futures resisting complacency and despair, and in doing so, offering a ‘being, otherwise’?

The Class Work Project is a workers co-operative focusing on class stigma and marginalisation. We centre the knowledge and experiences of poor and working-class people by publishing our quarterly journal Lumpen, and delivering workshops on class. We also work to create opportunities for the redistribution of resources within social movements.